Label:Tonodisc – TON-1020
Country:Argentina
Used LP 1971
Disc:VG+ (good shape overall, only feel slight surface noise at quiet part)
Jacket:VG+/VG (wears, black ink marked on back, light corber bump, not bad overall)
1971. The album was recorded in Buenos Aires during a live tour, and through an introduction, a recording session was arranged for the next day. Naná Vasconcelos, a world-famous percussionist who has performed with Egberto Gismonti/Pat Metheny, and released on ECM/SARAVAH and, Agustin Pereyra Lucena born in Argentina, a guitarist , who has left behind many works influenced by Brazilian music such as bossa nova. All four tunes improvised by the two artists. First of all, 16-minute long free improvisation by Nana "Concerto Pra Mae Bio," which fills the entire A-side, B1 "Improvisação", which the two players intertwine in a tense atmosphere, and two tunes with great bossa nova-like guitar solo by Agustin Pereyra Lucena. The following year, in 1972, Sebastiao Tapajos & Pedro Dos Santos released a masterpiece that may have been influenced by this delusion. Argentine original.
1971年。ライブツアーで訪れていたブエノスアイレスにて紹介を通して翌日にはレコーディングを手配して録音されたブラジルとアルゼンチンを代表するアーティストによるキャリア初期の共演作。エグベルト・ジスモンチやパット・メセニーらとの共演、ECMやSARAVAHなどからのリリース等もはや説明不要の世界的打楽器奏者Naná Vasconcelosとアルゼンチン生まれながらボサノヴァ等のブラジリアン音楽に影響を受けた作品を数多く残すギタリストAgustin Pereyra Lucena。その二人による即興で演奏された全4曲。まずはA面いっぱいに収められた16分に及ぶNanaのフリーインプロビゼーション”Concerto Pra Mae Bio”、二人の密な演奏が導き合い緊張感が伝わるB1”Improvisação”、Agustin Pereyra Lucenaによる優雅なギターソロの2曲を収録。翌72年のSebastiao Tapajos & Pedro Dos Santosによる傑作にも影響を与えたのでないかと妄想。アルゼンチンオリジナル。傑作。久々に入荷できました。
A sample 1
A sample 2
A sample 3
B1 sample 1
B1 sample 2
B2 - Tiempo Feliz
B3 - Converça Do Poeta
