Label:Sound Process – WN-003
Country:Japan
Used LP 1984
Disc:VG+ (great shape, only feel super light surface noise as quiet record)
Jacket:VG+ (light wear on back) w/obi(brown wear),insert(brown wear)
One of three albums in a series called Wave Notation, which is known for the work of Satoshi Ashikawa and Hiroshi Yoshimura. The pianist Satsuki Shibano, who is also a leading researcher of Erik Satie, was invited by Ashikawa to work on this project, which fits in with the concept of "Sound Process" label. It is included to select the time of one record from all Sati's works, arrange them in alphabetical order of the song title, and draw Sati on the record. It's easy to get caught up in Erik Satie, but I think her expressive piano, full of luster, is what makes this piece so special.
波の記譜法と名付けられた芦川聡と吉村弘が名を連ねたシリーズ3枚の内の1枚。手掛けたのは、その芦川の誘いでサウンドプロセス内のコンセプトと合致するエリックサティ研究家の第一人者でもあるピアニスト柴野さつき。サティ全作品の中からレコード1枚の時間分を選曲しそれらを曲名のアルファベット順に配列、レコードにサティをデッサンする想いが込められています。艶に溢れた表現力ある彼女のピアノがあってこその作品だと思います。
A5 - 5ieme Gnossienne 1889
A7 - Danses De Travers (Pieces Froides) 1897
A8 - 2eme Gnossienne 1890
B5 - 4ieme Gnossienne 1891
B7 - Reverie Du Pauvre 1900
